It used descriptive qualitative method, with a musicology approach, music history, and cultural studies. This study uses literature references, newspaper sources, audio sources, videos and interviews that are mixed into descriptive explanations. The aesthetics of heavy metal sound colors that have been attached through decades from its appearance in the 1970's until now 2019, still provide a big mystery, and the sound provides a basic perspective of society in assessing dangdut rock music. This study will help us explore and examine the quality of dangdut guitar sound, which is up until now still has the same color and cannot be replaced with other sounds (guitar). This also made the dangdut rock identity which is judged by heavy metal guitar sound. He was motivated and sparked the idea of Dangdut Rock through his guitar concept and the distortion he used, namely Heavy Metal. He was carrying the dangdut idea and the nuances of electric guitar distortion in the 1970's and succeeded in changing dangdut from Malay dangdut to dangdut rock, also initiated by the arrival of bands and rock music in the "Orde Baru" era. Rock-dangdut was first known and stretched by dangdut singer and guitar player named Rhoma Irama.
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